This is an article from the NYT about this art food experience to which I took a guest on Saturday.
We were sat at a table with unknowns, who became knowns and then I saw another couple that we had met the week before and asked them to join us. A grand time was had by all. But first this:
In 1992, the art dealer Gavin Brown helped the artist Rirkrit Tiravanija transform 303 Gallery, then on Greene Street, into an operational kitchen for a part performance, part installation piece titled “Untitled (Free).” The seminal solo show, which found the artist serving up gratis curry and rice out of the converted gallery, represented a critical development in Tiravanija’s practice. It also marked the beginning of his friendship with Brown, who at the time worked as an assistant at the gallery. Now in the collection of MoMA, “Untitled (Free)” — considered a masterwork of relational aesthetics — was the first of many interactive projects realized by the twosome. Their latest scheme: a gallery-meets-kitchen in Hancock, N.Y. Lovingly referred to as Unclebrother (the name is an inside joke), the hybrid restaurant revives the generous spirit of Tiravanija and Brown’s inaugural partnership, but adds in a full-time, brick-and-mortar locale. “It’s the first time he’s had a commercial kitchen, so it’s a departure in that sense,” Brown says. “It’s a natural progression, in a way. It’s about entering into the same place but from a different direction.”
A three-hour drive from New York, Unclebrother’s inception sprang out of a real-estate opportunity in the rural upstate farm community — a longtime summer retreat for both the artist and the dealer. “It all happened very quickly; we acted on instinct,” says Tiravanija, who has also been working on opening a space in the city. “I am always interested in this idea of bringing art closer to life. This space provided a way to make this economically feasible.” He and Brown hope the gutted exhibition hall, formerly a car dealership, will serve as a gathering place for locals as well as fair-weather tourists. Rooted in the pre-existing agricultural community, Unclebrother operates like a site-specific work, engaging the native landscape as well as the culture. “When we started, we met all these artists and designers who had moved from the West Village and started farms,” the artist says. “It’s great to be able to tap into these social infrastructures.”
Tiravanija and Brown aren’t the only cooks in the kitchen: Assistants and guest chefs will do most of the cooking, spicing up the menu with personal touches. For the soft opening last summer, Brown matched works by artists like Joan Jonas and Sal Scarpitta with Tiravanija’s rotating assortment of dishes made from seasonal ingredients. “I think of the kitchen as a lab or a workshop,” explains Tirvanija of his approach to cooking. “It’s more about the process than the product.”
Currently on break for the winter, Brown and Tiravanija are already plotting Unclebrother’s spring relaunch, with a goal of being open every weekend. Their summer of experimenting helped them develop a program that will include a residency and a rotating lineup of artists and chefs. “It seems as though the center of things has become a little claustrophobic. The margins provide more flexibility and opportunity,” explains Brown, who has also recently opened exhibition spaces in Rome and the bottom floor of his Harlem townhouse. “With Hancock, nothing was forced. The space came about organically and has given us a platform to try something new.”